When I first wrote my poetry book, When Can We Be Soft?: Poems of Female Resilience, I wasn’t even aware that there was a growing community of freelance audiobook narrators. Those of us in the poetry community on Twitter often recorded readings of our own poems, so I knew that I would narrate the collection. I also had experience with narration because I used to record our class novels for my students who struggled with reading. It was never a question of hiring a narrator. Honestly, I thought that was only something available to big publishers.
This past summer, however, I came across a video on TikTok of a audiobook narrator offering to read a snippet of a book for what they were calling #FemmeAudioTakeover. I immediately sent a message asking if they still had space. While waiting for a response, I came across another narrator offering the same thing. Come to find out, Femme Audio Takeover is a well-organized event in which femme and non-binary narrators record themselves reading submitted snippets from femme author’s books and WIPs. (Authors, for more information, sign up for Ruthie’s author-narrator collaboration newsletter.)
This year, I will have narrators reading from my forthcoming romance novel You’ve Got Bookmail and The Maenad, which is my forthcoming debut fantasy novel. At the time of last year’s event, I only had one WIP that would have been appropriate for the event, The Maenad. I had just finished the first draft, so I chose two narrators I was mutual TikTok friends with and two short snippets (250-350 words). On takeover day, my feed was full of femme voices narrating works by femme authors, and it was amazing. Then I got the tags to my snippets.
Nothing prepares you for hearing your words, your characters, your story brought to life by someone else. I had no words while watching the videos. I just sat there with my head in my hands and tears in my eyes. Both of the female narrators read moments with the same main character, and yet she was different in each video. If I didn’t already believe it before that day, I knew without a doubt that reader interpretation is just as important as author intent.
One of the reasons that I read my books aloud during the editing process, complete with voices and intonation, is because I want to identify any shifts in characterization. It is much easier to recognize changes in the main characters if you listen to their voices, their diction, their cadence. A strong narrator will be able to help your character maintain their voice throughout. If you are femme or non-binary author and unsure about what I’m saying, head on over to TikTok and check out the hashtag in bold above. You will find so many options for getting a portion of your book read during one of the events. Take a chance that I’m right, and your book becomes even better through their interpretations.
Though I’ve learned a lot about narration from following so many wonderful narrators, this week, I was blown away by a new fact. Did you know that not only are male narrators often favored over female narrators by readers, but if there is a dual/duet narration of a book with a male narrator and a female narrator, the female narrator will rarely be highlighted in any sample available? Add in that the venues once available for authors and narrators to find each other are now pushing AI voices as money-saving options, and our female and femme narrators need our support more than ever. (If you’re interested in more information about the travesty that is AI narration, check out the hashtag #HumanVoicesOnly.)
This year, Femme Audio Takeover happens on January 15, so even if you’re not quite ready to have your work read aloud, check out the hashtag that day to see all of the awesome clips. You might find your next favorite book. Who knows, you might even find a narrator for your next book, or your new favorite narrator voice.
If you’d like to know more about my process for recording my poetry collection, including the process of trying different recording software and uploading files, please let me know.
